Monday, March 21, 2011

Crossed Polar Light Experiments 1


The photo above is soapy water sprayed as a thin film on plexiglass, frozen, and shot using cross-polarized light. Without crossed polars, this looks just black and grey.

While looking at some beautiful photomicography (pretty much the same as what I do, only using a microscope instead of foolishly hand-holding the camera like me), I stumbled across a way of using two polarized films to highlight details in a subject typically invisible to our eyes.

Your sunglasses may be polarized, and you would know because when you look at a shiny car in the sun, the reflections change noticeably. This is because the polarized film of your sunglass lens is only allowing light at one angle to pass through. To try out this concept, I simply used the two lenses of an old pair of shades.

If you take these two lenses out of the frame and hold them up against eachother, stacked, you will notice that things look just a bit darker through them. But, rotate one of them 90° from the other, and you will notice you see nothing through them. Like magic, they turn black against one another.


In photomicography using crossed polars, one places their light source directly beneath the subject, with a polarized film in between them. In this case, one of my sunglass lenses.

The other sunglass lens is situated between the subject and my camera lens (called the "objective" in fancy microscope-jockey terms), and I simply used tape to hold it in place over the front of my lens. It is important when shooting this way, to hold the camera and position the lens so that the two polarized films (sunglass lenses) are at 90° angles to eachother. They should "black out" eachother, but you can still see the subject between them.

If your subject is plastic, or a crystal structure, you should see rainbow patterns inside them as you dial in the correct angle of the lens/polarizer relative to the light/polarizer. And this is how it's done. I want to reiterate that all these photos were made using white light, no colored lights or fancy computer tricks involved.

Scientists shoot minerals and other substances using this technique (though far more complex than I have explained here) and are able to identify materials by the way they scatter light between the two polarizing films. I am just using it to make pretty pictures.

Above is another view of the frozen soapy water. I think it was starting to melt at this point. The three last images below are different views of bubble wrap using cross polarized light.





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Tuesday, March 8, 2011

Those Busy Busy Bees


Here we have two products of our friendly bee architects.

The photos of hexagonal structures, obviously, are part of a honeycomb which we found on the beach in Akumal, Mexico. Each cell of this honeycomb is about 5mm wide, and the entire sample piece is actually quite small and fragile. I don't know what kind of bee made this and we never did see the original owner bees when we found it abandoned.

You can see that the honeycomb is composed of tiny, woody, pulpy strands and chunks "glued" together with what I assume is bee spit. What amazes me, even after inspecting it closely, is how precisely the walls of the structure are positioned to create the regular, repeating hexagonal pattern. These guys don't work with rulers and compasses, so I have no idea how they get it so right. Amazing!

(NOTE: the squiggly hair-looking things are most likely just some dust that got stuck to the honeycomb sample sometime during transport home)




The next few photos are close-ups of another piece of bee ingenuity... a wasp nest. The sample was kindly contributed by a friend who found it in his attic while doing some home renovations. At normal size, it looked something like this.

When we get close, however, the papery layers reveal a fragile mesh of undulating, interconnected woody strands reminiscent of a mat of hair (though far smaller). It looks like some kind of deconstructed curtain. These photos capture an area between 5mm wide and about 10mm wide. I can't imagine the effort needed to weave just the parts captured in these photos, much less the many dozens of layers like it that are needed to form a nest about the size of a soccer ball.













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Wednesday, January 26, 2011

Ice Spikes


I've never shot snowflakes before, and decided to give it a whack today, during our 8th snow in just over a month. I had decided to shoot them this morning around 8:30am when the flakes falling were still flakes.

By the time I got out later in the morning, the air had warmed up and the flakes were clumps of ice spikes instead. I snagged a few shots of the clumpy spiky stuff. I'll try to get something more snowflakey another time.

As an aside, pretty much everything I know about shooting snowflakes and other crystals (as well as the methods I use to shoot many other subjects in macro/micro), I learned by reading about Ken Liebbrecht's work at Caltech. So, thanks Ken, if you ever read this!










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Wednesday, December 29, 2010

Painterly, Intricate Lacework


I've had my first downtime in what seems like months, and had the opportunity to shoot at our friends' country house which previously yielded microphotos of Peacock Feathers and BeeBalm [Monarda] flowers. Luckily for me, the old farmhouse windows iced up dramatically in the recent bitterly cold wind and snow, and these intricate, beautiful patterns emerged overnight.

The size of the photos presented here don't do these pictures justice—they really should be turned into huge prints and hung as modern art (hint, hint). Maybe as an early Valentine's gift for your honey?

But to really show how much detail was contained in these iced windows, in an area about the size of a quarter, below is a cropped portion of the photo from above, followed by several more photos of the icy panes.











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Wednesday, December 1, 2010

Ice Fishies


Just a quick post today. This is one of my favorite ice bubble photos that I've taken. I was lucky to have the opportunity to see it printed huge for an installation I did at the offices of New York design boutique, String Theory. It looks great huge (60" x 90") as well as on screen!

To me, this looks like a photo of fish swimming up a stream.


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Monday, November 29, 2010

Alien Lifeforms


The centers of poinsettia blooms (they're actually just awesomely-colored leaves as my horticulturist/landscape architect uncle Pete has informed me) contain some alien-looking parts. Like alien eggs ready to hatch, and alien baby tentacles reaching out innocently for your delicious brains. I've added a non-macro photo of these center bits below where they are nestled inside the colorful leaves of the plant, so you can understand the true size of the parts we are looking at here.









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Saturday, November 13, 2010

Butterfly Wings


Butterfly wings are clear! Under the layers of scales on each side of the wing is a clear membrane, like other insects' wings. In the photo below, one can clearly see the wing scales on the other side of the wing through this clear membrane.







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Monday, November 8, 2010

Bee Balm


The photo above was clearly the winning picture today at the Hoboken Artists Studio Tour, as far as crowd reaction goes. This photo of the stalk under the petals of a Monarda bloom was the most well received image I showed today. Last year's crowd favorite (judged by observation) was the tap water, which you can see here.

If you missed it, by the way, I was mentioned in two different articles about the Studio Tour. One was an artist profile at the Jersey Journal (Adam Saynuk, Micro Photography) and the other was at the Hoboken Reporter (Showcasing Art in the Mile Square).

The photo that drew the second place (in terms of gasps and "no ways!") was the microphoto image of bread, as you can see below. Bread, it appears, is nothing more than cavernous bubbles encased in clear starchy, gluteny wisps.

I would say the third most liked (or "wowed") photo was the next photo down of mold on a chocolate cake. This field of flowers seemed to fascinate everyone for the same reason many of the other images did, because it's so unexpected.

Thanks to everyone who came out to see my work today!







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